I'm nowhere near starting Infinite Jest as I'm only halfway through the puny-sized (a mere 538 pages) Tale of Love and Darkness, the autobiography of Amos Oz. [Guardian obit, Dec. 2018]
Oz weaves two stories together--the story of his mismatched parents, which is familiar (his mother committed suicide, like my mother), and the story of the Jewish people who moved to Palestine to found the nation of Israel, whose perspective I'd barely ever considered––and is not what I expected.
Reading about the Jewish emigrants reminds me of reading the novel The Sorrow of War, by writer Bao Ninh, who had been a North Vietnamese soldier in the Vietnam War––because I'd never thought about their stories before. And yet, of course, they're human, so they are recognizable...
But I'd simply never considered, for instance, that women––girls––were NVA soldiers too.
"The only people we were not too afraid of were the Germans."
The section of Love & Darkness where Amos Oz's aunt, his dead mother's sister, remembers growing up in eastern Europe in the 1920s has a surprising twist––not just politically, but experientially––church bells that I hear as beautiful and in some ways mine are "those scary bells of theirs". The history is frighteningly familiar:
in times of chaos people are attracted to strong leaders who impose order, thinking they will save them--the people sometimes even choose to elect these strongmen (Hitler, Pinochet...).
Oz's aunt tells him:
Oz weaves two stories together--the story of his mismatched parents, which is familiar (his mother committed suicide, like my mother), and the story of the Jewish people who moved to Palestine to found the nation of Israel, whose perspective I'd barely ever considered––and is not what I expected.
Amos Oz (b. 1939, Jerusalem) with parents Fania and Yehuda Arye Klausner
Reading about the Jewish emigrants reminds me of reading the novel The Sorrow of War, by writer Bao Ninh, who had been a North Vietnamese soldier in the Vietnam War––because I'd never thought about their stories before. And yet, of course, they're human, so they are recognizable...
But I'd simply never considered, for instance, that women––girls––were NVA soldiers too.
Kien looked at her more closely. "How old are you?"
"Nearly twenty. I joined when I was eighteen," she said. "But I'm still not used to it."
"No one gets used to it," he said, grinding his cigarette into the ground.
_________________
"The only people we were not too afraid of were the Germans."
The section of Love & Darkness where Amos Oz's aunt, his dead mother's sister, remembers growing up in eastern Europe in the 1920s has a surprising twist––not just politically, but experientially––church bells that I hear as beautiful and in some ways mine are "those scary bells of theirs". The history is frighteningly familiar:
in times of chaos people are attracted to strong leaders who impose order, thinking they will save them--the people sometimes even choose to elect these strongmen (Hitler, Pinochet...).
Oz's aunt tells him:
You who were born here in Israel can never understand how this constant drip-drip [of social humiliation] distorts all your feelings, how it corrodes your human dignity like rust.We are often afraid of the wrong things––or, rather (it's all dangerous), we think the wrong things will protect us.
...
But most of all [we] dreaded the mobs. ..."They're sharpening their knives for us in the dark," people said, and they never said who, because it could be any of them. The mobs. Even here in Israel, it turns out, Jewish mobs can be a bit of a monster.
...
The only people we were not too afraid of were the Germans.
I can remember in 1934 or 1935––I'd stayed behind to finish my nursing training when the rest of the family had left [to Palestine]––there were quite a few Jews who said if only Hitler would come, at least in Germany there's law and order and everyone knows his place, it doesn't matter so much what Hitler says, what matters is over there in Germany he imposes German order and the mob is terrified of him.
What matters is that in Hitler's Germany there is no rioting in the streets and they don't have anarchy ––we still thought then that anarchy was the worst state.
Our nightmare was that one day the priests would start preaching that the blood of Jesus was flowing again, because of the Jews, and they would start to ring those scary bells of theirs and the peasants would hear and fill their bellies with schnapps and pick up their axes and pitchforks, that's the way it always began.
Nobody imagined what was really in store, but already in the 1920s almost everyone knew deep down that there was no future for the Jews... anywhere in Eastern Europe...
{end quote}
Interesting to think, as you said, that church bells so often heard as beautiful or comforting by one group could sound forbidding or threatening to another. Food for thought!
ReplyDeleteHey, no self-flagellation when learning new stuff. There is a LOT of stuff one finds one doesn't know about as the year's pass.
ReplyDelete@$&" years pass
ReplyDeleteSTEVE: I remember when I first had to reappraise a familiar-to-me sound:
ReplyDeleteI can't remember who it was, but a black American man said (or wrote) that the sound of "good ol' boys" whooping it up was TERRIFYING.
As a woman, I'd thought it was a little scary myself, but it hadn't occurred to me it was *lynching*-level scary.
ART SPARKER: Yes, you're right, there's no shame in not knowing something.
But I did feel genuine chagrin that I hadn't even thought of the question!
Ah well. Can't always enter into every pov.
"Year's/years"---I wish Google cared enough to add an "edit" option to Blogger comments, like Facebook did.
Michael at Orange crate art posted a quote from someone saying blogging will come back.
Not sure about that, but if it does, that's my first request!